The story begins in the XVIth century. European context is Renaissance. The ancient Greek books are rediscovered and so are the world and life, based upon that knowledge. Together with this discovery of the past, Portugal and Spain are committed to discovering the future – they broaden frontiers.
The Portuguese mathematician holds in one hand the rope connected to classic antiquity, and in the other a rope connected to the discovery of new lands, new people, new cultures, and ties them in a knot. He unites the past with the future and theory with practice. But that union is not peaceful…
“Blind’s Cane” – the discovery of Pedro Nunes premièred on November 18th, 2006 in Teatro Académico de Gil Vicente and was also presented on December 20th and 21st. It was presented later in Aveiro, in Estaleiro Teatral, between December 6th and 8th.
The discovery of Pedro Nunes
Pedro Nunes was the chief cosmographer of the kingdom, tutor of the infantes D. Luis, D. Henrique and D. Duarte, and had some creative ideas about navigation which not always have been well received by those with the practical task of sailing. In his own words: “And I am so scrupulous in mixing with the common rules of this art [of sailing] terms and points of science, that the pilots laugh at so much (…)”.
This gap between the theoretical propositions of Pedro Nunes to navigation and the Portuguese sailors of the time, along with the comments of the latter, were surely subject of his reflection, as shown in the following comment included in the same work: “I do know how badly pilots regard those who speak about India never having been there, and those who practice on the sea never having entered it (…)”
This conflict between the theoretical advances, that introduce new ideas alongside a better understanding of knowledge through praxis, and the practice of navigation, is one of the issues addressed in Blind’s Cane. Deep within, these are the two faces of the same coin – the impetuous will which makes mankind progress.
This bias aside (between Pedro Nunes and the Portuguese practice of navigation), this mathematician was a mandatory reference in Europe throughout the XVIth and XVIIth centuries and among those who studied astronomy and the art of navigation. With international contacts and recognition, this “creative mathematician”, as some call him, and his ideas, travelled and influenced Renaissance Europe of the time. This was another kind of navigation, the navigation of ideas, through which Pedro Nunes got himself noticed in science. And wrote his name on the moon.
Playwright and Direction Mário Montenegro
Direction Assistance Alexandre Lemos
Discussion and Ideas Alexandre Lemos, Anabela Fernandes, José Nunes, Mário Montenegro, Nelson Rodrigues, Pedro Andrade, Pedro Pires Pinto, Raquel Guerrero, Rui Capitão, Rui Simão
Cast Anabela Fernandes, José Nunes, Pedro Pires Pinto, Mário Montenegro, Raquel Guerrero
Set Design, Wardrobe and Image Pedro Andrade
Lighting Design Rui Simão
Sound Design Rui Capitão
Video Ricardo Trindade
Stage Photography Francisca Moreira
Hair Design Carlos Gago – Ilídio Design
Sewing Fátima Lemos
Scientific Consultant Carlota Simões
Pre-production Nelson Rodrigues
Executive Production Alexandre Lemos
With the support of
Ministério da Cultura
Instituto das Artes
Teatro Académico de Gil Vicente
Reitoria da Universidade de Coimbra
MAFIA – Federação Cultural de Coimbra
INATEL – delegação de Coimbra
Departamento de Matemática da FCTUC
Ilídio Design – Cabeleireiros
Carlo Viscontti – Aveiro
Rádio Universidade de Coimbra
Acknowledgement
A.P.P.A.C.D.M., A.P.P.C. – N.R.C., Camaleão – Associação Cultural, Direção Regional de Educação do Centro, EFÉMERO – Companhia de Teatro de Aveiro, Fátima Lemos, Maria João Feio, república “Rosa Luxemburgo”, R. Simão, Sociedade Portuguesa de Matemática, Teatro Nacional de S. João
- Productions
- Blind's Cane
- Post-show conversation "Blind's Cane"